![]() ![]() Her disinterest in the trivial is the “I don’t give a shit, and I don’t owe anyone shit” persona of our great, ominous dreams. Played by the brilliant Christina Ricci, Wednesday challenges how young girls and women are governed when they are told to smile (to appear non-threatening, because God forbid we appear aloof) or conform to antiquated expectations of how girls should be. Morticia’s unfaltering sense of self is also reflected in her daughter Wednesday Addams, whose cleverness and wit both captivate and provoke envy. Whether faced with suspicions of fraudulence in the first film or murderous black widows in the second, Morticia remained collected as her husband frantically balked at police officers or underwent hysterics over false brotherhood relations. One could even argue the presence of role reversal, as the enduringly comical Gomez is often more shrill in comparison to the unruffled, always-composed Morticia. Morticia and Gomez’s unwavering love for each other (and horniness, so much horniness) challenge these norms. Doubtfires, all undeniably iconic in their own right but retaining reinforced tropes of mothers or ex-wives that are shrill or overbearing. Consider other family films of the same period, the Home Alones or the Mrs. Morticia’s rendering of her own sexuality - even possessing a fairly kinky relationship with Gomez - illustrates feminist undertones otherwise progressive for its time. ![]() Only, prior to this, she’s thoroughly enjoying the situation - flirtatiously saying, “You’ve done this before,” to her timid torturer. In the first film, the self-titled The Addams Family, she finds herself in a damsel-in-distress situation where she’s tied up and tortured on a wooden canvas until husband Gomez sweeps in. First brought to life by cartoonist Charles Addams, Morticia is the soft-spoken, put-together matriarch of the Addams clan whose wit and grace prove sharper than her enviable cheekbones. ![]()
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